Today we talk with David Leibowitz, Music Director and Founder of the New York Repertory Orchestra, about how he’s programmed 20 seasons with NYRO without repeating any pieces, how he defines and builds balanced programs, and why young conductors flourish once they can let get out of their own inward focus.
This week we talk with Alexandra Enyart about why you should meet everybody, how we can tell more stories, and making the most positive impact.
Today we sat down to talk with Maestro Nick Carthy, who’s traveling the world as you read this! Maestro Nick is the opera conductor at CU Boulder as well as a regular guest conductor around the globe. He shares with us his incredible line of teachers, tips for entering the opera field, why Powder Her …
Once you’ve met conductor William R. “Buddy” Langley, you’ll never forget him. Today Luke and I reconnect with a friend who has strong opinions about Cincinnati Chili and is quickly becoming a rising star conductor. Buddy walks us through starting his ensemble, the Memphis Repertory Orchestra, and how relationships are one of the most important …
A violin is a violin, but no two singers are the same. Today we talk with Gianmaria Griglio about the importance of imagination, the most important aspect of score study, and how we expect people to listen to concerts.
In the first installment of this two-part episode, we talk with Viswa Subbaraman about starting a contemporary opera company, the role of the orchestra, and why we need to be able to communicate with administration and marketing.
I met Chris Kelts for the first time in 2011 at String Fling, a summer string program hosted by Missouri State. Even before he stepped on the podium, we all knew that we were going to love him. He returned in 2015 as the newly-appointed director of orchestras at Missouri State, and I still wish …
PT6: “Conducting Doesn’t Get Easier,” with Christopher Kelts Read More »
